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Why Cannes Film Festival ditching red carpet icons?

Cannes drops big names for big dreams

By Muskan Khan |
Cannes drops big names for big dreams
Cannes drops big names for big dreams

From the captivating Cannes Film Festival where Nicole Kidman and Leonardo DiCaprio once luxuriated on the Riviera to the new wave of underappreciated players worldwide—Cannes is rich in legacy and has boundless opportunity in redefining itself. In simple terms, Cannes is warming up to new, diverse filmmakers below the “Dior-wearing” standard.

Why Cannes Film Festival ditching red carpet icons?


 Background: A Legacy Rewritten

Even in the current context where Cannes is used as a marketing playground, it still holds great legacy as the go-to-spot for bankable directors to rub shoulders and boost their career-defining movies in the multi-faceted world of awards.

 However, the festival seems to have gotten the memo. They are updating their rusty red carpets which have welcomed cinematic royalty in the hopes of introducing fresh narratives that don’t depend on proven high-earning directors.

Marketing Meets Meaning

Cannes is making calculated moves because of the latest shifts in consumer trends. The most recent generation is looking to disconnect with drama-laden superstars which makes room for rising stars, as younger audiences relate to “authenticity.”

Cannes exhibiting novel faces works in rising stars’ favor and comes at no cost to the festival. Along with a new approach comes a whole new wardrobe, new audience, and emerging brands from Gucci and Saint Laurent that are more than ready to dress these fresh faces.

Why Cannes Film Festival ditching red carpet icons?

For example, Hunter Schafer, who plays in Euphoria, went viral this year for stunning in a sculptural white dress. Lyna Khoudri, the actress of Papicha and The French Dispatch, not only received acclaim for her portrayals, but also for bringing rich, multilayered cultures to the Croisette.

Changing Film Landscape

Cannes is now the capital of stars from countries still regarded as peripheral in the global cinematic discourse. Sobhita Dhulipala, famous from Made in Heaven, graced the floor of Cannes as representing contemporary Indian cinema. On the other hand, Kdrama laureate, Roh Yoon-seo from Crash Course in Romance, brought hallyu prestige to the festival's international pedestal.

Why Cannes Film Festival ditching red carpet icons?


Diminishing A-List Dominance

Familiar faces at the festival stimulate the box office, albeit the number of cameras set up is notably decreasing. More often than not, these celebrities stroll Cannes for personal projects rather than promotional ones; to commemorate their former achievements. 

In contrast, up-and-coming filmmakers are arriving to international acclaim through TikTok and Letterboxd for their indie films.

Diversity and Real Impact

This isn't merely for the sake of representation; it is about the strength of storytelling. Cannes is amplifying stories that shatter expectations: queer love stories, those rooted in African history, and indigenous stories. New directors and out of the box narratives are winning awards and audiences.

The Unmissable And Unwritten Future of Cannes

Cannes seems to be turning away from celebrated names to emerging talent—passing the red carpet to the startling faces and bold voices—and at this point, the story shifts. If Hollywood’s veterans whisper alongside the decaying glamour, these shining faces of the industry scream relevance.